8/18/2023 0 Comments Avid carbon windowsSure, they have the gold standard of DSP systems with HDX, but they never released a non-card-based interface that could take the load off your computer. With its years of experience in onboard DSP processing, Avid suited up for battle in an area they had skirted for years – the prosumer DSP-based interface market. Occam’s razor can only deduce that Avid found itself outside of an untapped market, one that another company has dominated for a very long time. And I’m not sure any interface at this price point is a guaranteed “cash grab” for a company.Larger studios lean heavily on HDX’s onboard DSP for massive sessions. There’s no way the HDX ecosystem is going anywhere.Avid has swapped the Native PCI card for the thunderbolt interface.If you were anything like me around release day, you met the announcement with a bit of head-scratching.Īs far as I can see, the answer to these questions is mostly a resounding “no.” We’ve hung onto it for the better part of the year and can definitively answer the question most of you have probably been asking: “What exactly IS Carbon?” So Many Questions Luckily, Avid asked if I wanted to give Carbon a spin, and I jumped at the opportunity. But you can’t help but feel you’re missing out. I didn’t necessarily regret buying my other interface – I like it very much (B. However, right after I purchased my new interface, Carbon did come out, and I quickly felt the “ I bought a Macbook Pro 31 days before Apple announced the new models” feeling. Their MBox line was toast, along with the Digi “Double O” models. The reason I didn’t buy an Avid interface, you ask? Because other than Avid’s HDX system, they didn’t have much to choose from. It was time for a change, so I bought a new interface, and for the first time since my MBox 1 in 2002, Avid / Digidesign didn’t make it. There were no real issues with Native only the desire to move away from a card-based interface and bulky, noisy PCIe chassis. I sold off roughly 60% of my gear and decided it was time for a “do-over.” Part of the gear that got the ax was my Avid HD Native system. So, it's easy to track at a lower input gain, then increase PT fader gain, without clipping.About a year and a half ago, I got the itch. Keeping you immersed in the Pro Tools environment is key to that goal.Ĭarbon inputs are very high headroom. But, our goal with Carbon is to make the best possible tracking experience we can. Hardware limiters can also help, but that gets cumbersome. Putting limiters on all monitoring paths can help. That said, with digital audio there is always some risk. Yuck! We prioritize any noise issues very high and address them asap if they ever crop up. You no longer need external mixing hardware nor a standalone router/mixer app. The Hybrid Engine integrates that entire low latency monitoring workflow into Pro Tools, which is why it's such a joy to track with Carbon. So with Carbon since it's 32bit will it be possible to turn up just the recording track (in the Pro Tools mixer) while tracking (6 to 9 db) wihout it distorting like it does on my Omni and Mbox 3 Pro befor that? I guess you can imagin how the white noise blast sounds 9 db louder directly into my ears. To avoid distorting the input by turning the recording Pro Tools track channel up by 6 to 9 dB to be able to hear myself properly I rather had to turn every other track down by 6 to 9 db (leave the recording channel at 0 db) and turn up the headphone volume to compensate. It was especially loud the way I tracked befor (through Pro Tools). The terrible blast was so loud that I'm afaid it has damaged my hearing. Luckily it's not been a problem for many years but it still hunts me in the back of my mind. The main reason for this setup is the dreaded "blast/explosion of white noise" issue I had in earlier versions of Pro Tools. I also can easily and quickly control the mix between these to sources to individual taste. I've become acustomed to track vocals/guitar dry (except hardware preamp and compressor) analog by sending a signal from my Avid Omni pres sends to my Presonous HP60 headphone amp and mix that signal with the output from Omni line out 3-4 into Input A on my HP60.
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